Sienna Spiro’s My House world tour setlist has been reported to include “This Is My House,” “We’re Not in Love,” “Material Lover,” “You Stole the Show,” “He’s Not My Baby, I’m His,” “Pure,” “Mono No Aware,” and “Great Expectation.” [1] Treat these as reported songs, not a guaranteed complete setlist for every date. Related reading: Sienna Spiro My House World Tour: What to Know.
That list gives you a practical preview of songs to recognize, whether you want to revisit them before the show or pick out familiar titles as you listen. The reported listing does not provide a verified running order, so use the titles as a song roundup rather than a sequence to memorize.
Reported songs
“This Is My House”
“We’re Not in Love”
“Material Lover”
“You Stole the Show”
“He’s Not My Baby, I’m His”
“Pure”
“Mono No Aware”
“Great Expectation”
The spellings above follow a consistent style, including “the” in “You Stole the Show” and the apostrophe in “We’re.” [1] If you’re making a personal pre-show playlist, these titles are a useful starting point; keep it flexible rather than assuming the list covers every song you’ll hear.
Which other songs appear in tour playlists?
A playlist labeled for the 2026/27 My House Tour offers a few extra tracks to listen for, but it is not a confirmed record of what Sienna Spiro performs live. It includes “Butterfly Effect,” “The Visitor,” and “Dream Police,” alongside tracks that also appear in setlist reporting. [2] To go further, see Sienna Spiro My House Tour Dates: 2026–2027 Schedule.
What the playlist adds
If you want to explore beyond the songs already mentioned in tour setlist reports, start with those three titles. “Butterfly Effect,” “The Visitor,” and “Dream Police” are the clearest additional possibilities surfaced by the tour-labeled playlist. [2] Treat them as listening suggestions, not as confirmed concert inclusions.
The playlist also includes “He’s Not My Baby, I’m His,” “Great Expectation,” “Material Lover,” “We’re Not in Love,” and “Mono No Aware,” which overlap with reported songs. [2] That overlap gives you a useful way to build a pre-show listening queue: add the playlist-only titles as possibilities, then include the reported tracks you want to revisit.
How to use the playlist
Use the playlist to get familiar with songs that may be relevant, rather than to predict exactly what you will hear. A playlist can gather tracks for listening without establishing that each one was performed at a concert. [2]
Also, do not read the playlist’s sequence as the show’s running order. [2] For example, “Butterfly Effect” appears near the start of the listed tracks, but that placement does not show where it would fall in a live set. Keep the playlist as a flexible listening reference, and avoid treating its track order as a concert schedule.
Why might the setlist differ at your show?
A reported setlist is a useful preview, but it should not be treated as a fixed running order for every show. Setlist reporting lists songs including “This Is My House,” “We’re Not in Love,” and “Great Expectation,” while a playlist titled for the tour includes a different mix of tracks. [1] [2]
Check reports for your concert date
If you want the clearest picture of what to expect, look for a recent report tied to your specific concert date as the show gets closer. A listing from another performance can help you recognize songs associated with the tour, but it does not tell you exactly what will happen at your show. [1]
For example, if an older report includes a song you hope to hear, treat it as a clue rather than a guarantee. Check for a newer report for your date before making plans around a particular song or sequence; even then, use the listing as a snapshot, not a promise about the full performance.
Treat playlist tracks as possibilities
A tour playlist can help you get familiar with more of Sienna Spiro’s music, but a track appearing there does not by itself confirm that it will be performed live. The tour playlist includes “Butterfly Effect,” “The Visitor,” and “Dream Police,” while those tracks do not appear in the cited setlist listing. [2] [1]
So, if you hear a playlist track before the concert, enjoy it as a possible addition rather than expecting it on the night. Keep reported performances and playlist selections in separate mental buckets: one reflects a reported concert listing, while the other is a listening reference. That way, you can arrive with a useful preview without assuming the setlist is complete, the order is settled, or every show will match.
What should you expect before the concert?
Use the reported songs as a preview of your concert, not a promise of the exact set. [1] If you want the latest picture before you go, check date-specific setlist reports again closer to showtime. [1]
Treat a report as a helpful planning cue: it can give you an idea of what to listen for, but don’t build expectations around a particular song order or assume every reported track will appear at your show. Setlist reports may also be incomplete, so keep some room for surprises. For example, you might revisit the songs you’re most excited about before leaving, while staying open to changes on the night.
As the concert approaches, look for a report tied to your specific date rather than relying only on an older or general listing. If no date-specific report is available yet, check again shortly before the show; once you have one, use it as a snapshot, not a guarantee. That keeps your expectations flexible while still giving you a useful sense of what may be played.