The Treaty Oak Revival West Texas Degenerate Tour setlist preview lists “Port A,” “Missed Call,” “West Texas Degenerate,” “Happy Face,” “Have a Nice Day,” and “No Vacancy.” [1] Another published listing also names “Wrong Place Wrong Time,” “In Between,” and “Bad State of Mind.” [2] Treat these lists as a preview, not confirmation of what the band will play at every concert. [2] Learn more in Treaty Oak Revival West Texas Degenerate Tour Dates.
That gives you a practical starting point if you want to recognize more songs during the show: begin with the six tracks in the tour playlist, then add the three songs in the concert listing. The lists overlap, but they do not present an identical selection, so keep your expectations flexible. [1][2]
If you are making a pre-show playlist, you can include all nine named songs without assuming each will be performed at your date. For example, you might queue the six tracks from the tour playlist first and then add the three listed elsewhere; that is a listening plan, not a promised concert order. [1][2] The listings offer song examples to help you prepare, while the actual performance at your show is the part to verify closer to the date. [2]
How to read the published setlist
Read the published setlist as an ordered list, not as a verified record of what Treaty Oak Revival played at every stop. The concert listing starts with an “Intro,” then places named songs in sequence; that opening label is separate from the song titles that follow. [2]
Follow the listing from top to bottom
After “Intro,” the listing moves through “Port A,” “Missed Call,” “West Texas Degenerate,” “Happy Face,” “Have a Nice Day,” and “No Vacancy,” followed by “Wrong Place Wrong Time,” “In Between,” and “Bad State of Mind.” [2] Reading the entries in order gives you the sequence shown on that page, rather than a claim about how every concert unfolds.
For example, if you are using the page to make a listening queue, keep the intro as an opening marker and put the named tracks in the displayed order. The playlist titled “Treaty Oak Revival West Texas Degenerate Tour Official Setlist 2026” lists “Port A,” “Missed Call,” “West Texas Degenerate,” “Happy Face,” “Have A Nice Day,” “No Vacancy,” and “Misery.” [1] The entries differ, so avoid combining them into a single supposedly authoritative running order.
Treat “official” as a title, not proof of a show record
A playlist title that uses the word “official” does not, by itself, establish that the playlist documents a complete performance on a particular date. [1] Use the title to identify the playlist, but do not treat it as confirmation that those songs were performed at your concert or in that exact sequence.
The practical distinction is simple: a listing can help you recognize songs and see an order, while a date-specific concert record would be needed to describe a particular night. If you are comparing two pages, note which list you are reading and preserve its order instead of assuming that every entry belongs to every show. This keeps your expectations grounded without turning a published list into a guarantee.
Songs to know before the show
Treat these tracks as a listening queue to help you recognize songs tied to the tour, not a promise about what your concert date will include. The listings give you a practical starting point: play the familiar group first, then add the extra songs for a broader preview. [1][2][3]
Start with the recurring group
Begin with “Port A,” “Missed Call,” “West Texas Degenerate,” “Happy Face,” “Have a Nice Day,” and “No Vacancy.” These are the tracks repeated across the listings, so they make a useful first-pass queue before you head to the show. [1][2][3]
For an easy listening session, add those six songs to a playlist in that order and play it through once. If you only have time for a quick refresher, start with the titles you already recognize and use the queue to pick out the others; the goal is simply to make the song names familiar.
Add a few more possibilities
Round out your queue with “Wrong Place Wrong Time,” “In Between,” and “Bad State of Mind,” which appear in another listing, along with “Postcard,” which is included in a separate setlist listing. [2][3]
You can mix these four into the first group or save them for a second pass. For example, play the six recurring tracks on your commute, then try the additional titles later so you have more songs in mind without treating the longer list as a confirmed plan for your date.
A listening queue is useful even if you do not know every track: seeing a title on the list gives you a name to listen for, while a quick replay can help you recognize it if it comes up. Keep the experience low-pressure; you do not need to memorize every word or follow a fixed order to enjoy hearing a song live.
Keep your expectations flexible
Use the tracks as a preview, not a guarantee that each one will be played at your concert. [1][2][3] If you are building a playlist, label it “songs to know” rather than “confirmed setlist” so the title matches what it is: a preparation tool, not a record of your specific show.
A simple plan is to listen to the six-song group first, add the four extra possibilities if you want a wider sample, and check for a report tied to your concert date closer to the event. That way, you can enjoy the songs you recognize while staying open to what you hear in the room.
Could the setlist change at your show?
A setlist listing is a useful preview, but it does not confirm what Treaty Oak Revival will play at your specific concert. One listing displays “Port A,” “Missed Call,” “West Texas Degenerate,” “Happy Face,” “Have a Nice Day,” “No Vacancy,” and other titles together [2], while another shows several of those songs alongside “Postcard” [3]. Treat these as examples from listings, not a verified set for your date.
Check for a report tied to your show
To get a more relevant expectation, look for a setlist report that names the venue and date of your concert. Check again close to showtime, since a listing from another performance may not reflect the show you are attending. For example, a report tied to a Saturday show at your venue is more useful for setting expectations than a general band page or a list without a matching date.
When you find a report, make sure its date and venue match your ticket. A report from a different night can help you recognize possible songs, but it should not be treated as confirmation for your performance. If no date-specific report is available yet, use the published listings as a listening guide and stay open to a different selection.
Keep expectations flexible
Avoid planning your night around a promised number of songs or a guaranteed encore. The listings display song titles, but they do not establish a fixed set length or confirm that every concert follows the same format [2][3]. A song shown on a listing is a reasonable one to have on your radar, not a promise that it will be played at your show.
If you want to prepare, save the listed tracks you are curious about and check for a report associated with your concert date as the event gets closer. That gives you a practical preview without mistaking a general listing for a confirmed, date-specific setlist.
Questions fans ask about the setlist
Is the available list complete?
The listings name songs such as “Port A,” “Missed Call,” “West Texas Degenerate,” and “Happy Face,” but do not give you a complete setlist for every concert. [1][2][3]
Use the list as a preview, not a promise
The safest takeaway is to treat the listed songs as a preview, not a promise for your concert. Across the listings, the strongest shared core is “Port A,” “Missed Call,” “West Texas Degenerate,” “Happy Face,” “Have a Nice Day,” and “No Vacancy.” [1] [2] [3]
That repeated run gives you a practical starting point if you want to recognize the songs in advance. For example, you could queue those six tracks first, then add other listed songs if you want a broader setlist-inspired playlist. The listings also include songs beyond that core, so think of them as possibilities rather than selections you can count on at your date. [2] [3]
“Misery” appears in the tour-named playlist, while “Wrong Place Wrong Time,” “Bad State of Mind,” and “Postcard” appear among the other listing examples. [1] [2] [3] “In Between” also appears in both the concert listing and the latest-setlist listing. [2] [3] Those extra tracks can help you expand your listening queue, but their appearance in a listing does not make them guaranteed picks for your show.
If you only have time to prepare for a few songs, start with the six-track core and treat everything else as a bonus to recognize if it comes up. Check for a report connected to your concert date as showtime gets closer; for broader tour planning, use the main tour overview.